Tag Archives: Pomona College

Claremont, California

In the festive whirl of Scripps graduation, I found a few minutes to sketch the fountain I’ve been admiring the last few visits in the courtyard at “The Coop” on Pomona campus.  I’ve heard people say that the Claremont Colleges have more fountains per capita than any other campus – and they’re all gorgeous.  Water is more about the movement of light than anything else, so fountains are challenging.  I started another sketch of a fountain in Seal Court  on Scripps campus, still working on that one.

And on the plane and in the hotel, I played with a vintage portrait from Artist’s magazine – another example of how many colors go into red hair! –  and a slightly absurd moose photo from the airline magazine that provided another water challenge.

All in alll, a good trip, and I hardly cried at all during the ceremonies!

Desdemona

"Desdemona, Bride of Othello", colored pencil by Kerry McFalll, costume by Corey Jay

I should be doing laundry, paying attention to an upcoming exhibit, any number of other necessary things – but ultimately, this is the most necessary thing at the moment.  To draw.  Every drawing is one step closer to where I want to be, which is where I don’t have to erase holes through the page to get the mouth right.  But the hair flames, the gown floats, the coat feels like velvet and satin, so I’m getting closer.  I salute the actress, Allison Ocha Lawrence, who smiled the smile of confusion and arched her eyebrows with, “Oh, really?!” so well, who clenched her lovely fist with subtlety and conviction, who played the Beauty to the Beast without the happy ending.  I can only imagine what life would be like with that glorious head of hair.  And I salute the costume designer, and her vision, and I am so proud of her.  SO proud.

Othello the Moor

Othello the Moor, mixed media by Kerry McFall

One of the drawing schools in London (called London Drawing aptly enough) specializes in life drawing using actors and actresses in costume, live and in the theatre.  This was the group who orchestrated the Tower Lock-In at the Tower of London, which I absolutely loved.  I thought it would be fun to try that approach with the production of Othello that my daughter Corey Jay costumed at Pomona College.  I saw the play last week and met the actors, now working from photos courtesy of Corey and the other cast members, my plan is to sketch the main characters.  I wish I could have sketched “live” during rehearsal, I’ll have to figure out how to make that happen someday…

So here is Othello the Moor, as portrayed by Marshall Anderson.  A bit of self-critique now, thinking out loud so to speak.  Portraits… tricky.  He is angry, hurt, frustrated, sad, confused.  But he is inescapablly so very Large and In Charge that he leaves himself no options… nothing like some simple body language to catch in a few angles, but I’m liking it.  Skin tones… pretty good, although amazing how many individual colors went into producing something akin to brown skin.  Face… aargh.  The actor is far more classically handsome than I was able to convey here – obviously, I opted for a deep shadow to make up for not being able to really puzzle out how to get the left side of his face properly, especially his eye.  Plenty of room for progress here.  Fur collar… really fun to see that silvery gray (presumably fox?) fur can be drawn effectively using pink and lavender.  And the icing on the proverbial cake: talons on the epaulettes.  If all else fails, simply squeeze the life out of your prey.  The essence of a tragic character conveyed right there on his massive shoulders.  Way to go, Corey Jay, Costume Designer!  Up next: Desdemona