Tag Archives: London

Busy, Busy…

sketch of St. Francis

'I've Got This Skull..." by Kerry McFall

 Museums tend to have a lot of big, dark paintings about redundant topics… you could easily believe that for about 600 years nobody in the “Western World” ever painted anything that didn’t revolve around religion (which they probably didn’t because only the churches had any money to pay artists…)  The plus to this is that you get to see different versions of the same stories, which can be fascinating.  The down side is that you begin to feel like if you see another chubby cherub hovering above a concerned crowd, you’re going to stick your finger down your throat… but I digress.  I wore black to the British National Gallery “Big Draw” event on Tuesday, which made it possible to try that messy technique where you color your whole page black (very popular with the kindergarten crowd) then use your “rubbah” aka eraser to lift off the spots where the highlights should be.  And danged if it didn’t work.  Kind of.  Above you see the results of my attempt to “drawr” St. Francis Meditating by  Francisco de Zurbarán in 1639.. 

Later that day I tried a new life drawing venue, one we saw advertised at the “Crown and Greyhound” pub in Dulwich Village when Helen and Gary took us there a couple of weeks ago for a traditional Sunday pub lunch.  So, first, here is “The Dog” as they call it, from the corner booth looking out to the village:

sketch of pub from interior

"Crown and Greyhound Pub", by Kerry McFall

We got there early enough to have supper and for me to sketch a bit before the class.  Once again, I hit it lucky with finding really excellent instruction and models provided by a group called “Alive and Drawing”, this time with two young women wearing body suits painted with a colorful diamond pattern.  This is one of my two favorite sketches from the session, the other one I’m saving because I think I might use it in my “Call and Response” exhibit coming up next spring:

sketch of two harlequins

"Harlequins at the Pub", by Kerry McFall

 So Tuesday was a very full day, followed by an “off” day when I didn’t take any classes but instead stayed in to finish a few things I’ve been meaning to try, such as Helen’s 1980 photo (which doesn’t quite do her justice), and a still life of silver goblets:

photo and sketch

"Helen, 1980", by Kerry McFall

 

sketch of 3 goblets

"Silver Trophies", by Kerry McFall

The goblets were engraved with prizes for running and track events from the 1890’s, the egg shapes were turquoise marbles… Helen thinks the silver needs polishing, I think it’s got a lovely patina! 

So there are five very different sketches, each representing just one facet of what I am now thinking of as my Sketch Pilgrimage to Europe… and I’ll be shipping one full sketchbook home tomorrow!

Muggle Moments

sketch of rocking horse

"Muggle Rocking Horse" by Kerry McFall

I am only beginning to realize the depth of J.K. Rowling’s genius.  Almost every day I have at least one flashback to Harry Potter, like when I turn a corner and realize that I am surely in Diagon Alley, or what must have been the inspiration for it.  Or like last week when Griff and I rode the “Night Bus”, an articulated nightmare driven by a cockney cowboy of questionable sanity…  Rowling captured muggle London in perfect detail.

But the icing on the cake was last Friday when my sketch class visited the Pollock Toy Museum, aka Olivander’s Magic Wand Shop.  It is a narrow, sagging brick building snugged into a bustling business area.  The displays in the hazy windows are faded puppet theatres.  There is barely enough room for two people in the entry, so you begin climbing stairs almost immediately as you enter.  I hate stairs – they make my knees scream.  But there is no choice, so you creak up and around in a dizzying circle, with the walls pressing in on you on either side, and you know there is something more weird and wonderful in every box and frame and glass case so you just keep going, wondering if the staircases are moving or if it’s just you…

It’s definitely magic, but it’s dusty magic, just this side of creepy as doll eyes follow you, and toy soldiers keep you in their rifle sights.  I expected Rex Harrison/Olivander to pop out at me any second, waving just the right magic wand.  The closer you look, the more uneasy you become as you realize just how uneven the floors are, just how much the ceiling sags…

I sketched a life-sized rocking horse, using a technique that I really liked: dark pencil and white pastel chalk on a mid-range gray background.  The rocking horse was made in about 1840, according to the sign, and was literally the size of a real pony.  It was way up on a high shelf, I suppose to keep Muggle children from trying to ride it.  I needed about another hour to finish, but class was over, my knees were killing me, and I had the impression that I needed to leave before the building itself vanished back into the recesses of imagination…

Living IN Your Own World

"Brixton Windmiill" by Kerry McFall

We like to talk to people as we travel, asking questions, learning about where we are.   Today, we talked with a man who was either a judge or a member of parliament, or possibly a duke, because he was – I swear I have only had one glass of wine – holding one of those preposterous pompous long curled (horsehair?) wigs and wearing a high starched collar and a formal tailcoat.   It was 5:00 p.m. at the café in St. James Park, I was sketching, Griff was writing, and His Honor the Owner of the Wig was lounging against the rail, watching the black helicopter circle the Buckingham Palace area.  Griff and I had been wondering what building we were seeing in the distance but couldn’t quite make out what flag was flying, thinking possibly Canada, so Griff got up and asked the gentleman if he knew.  He did not, but his slightly Scottish accent was an absolute delight and he was very friendly.  His lady companion, who appeared round the corner just that moment, didn’t know either.  We began talking about the London Eye, which is ubiquitous on any skyline, and this very elegant and professional woman said, “Well, I have to admit I’ve never been.  I mean, I LIVE in London, but one doesn’t actually do those things, does one?”

Evidently not, and we begin to see a pattern here.  Most of the folks we encounter are usually working people – restaurant staff, museum guards, clerks, fellow bus or train passengers.  (By the way, most Londoners do not seem to just chat with each other, they take things very seriously, they scowl a lot, and only Americans seem eccentric enough to actually strike up conversations.)  So we always get unrehearsed, slightly amazed, honest reactions.  It is notable how often we find that “natives” have never been to the places we find so fascinating, places that are famous the world over, places that we have traveled long to seek out, places that are hidden just around the corner for them.

Case in Point:  We were slightly confused about which exit to take from the Tube when we went to the Victoria and Albert Museum the first time, and although we knew we were close, every building we could see looked like it might be a grand museum.  There were two men in vivid orange vests cleaning the bus stop, so we asked them.  The younger one said, “I’m not from ‘ere, sorry.”  The middle-aged man said, “Sorry, no idear.”  (there’s that silly added R again).  Minutes later, we discovered the museum in question was down one block and across the street.  It’s huge – takes up several blocks.  And it’s not like it was just built… been there for decades.  City workers, never heard of it.

Next Case in Point:  The young woman in the Brixton T-Mobile store who sold us our cell phones asked us how we were enjoying our visit – I raved about what a fabulous time we’ve been having, how much we like London.  Now mind you, we were in the part of town that had rioted in August, and this store was the ONLY cell phone store that actually had any phones in stock because the others had been looted and weren’t as fast at restocking.   She looked at me like I was nuts (this happens fairly frequently, to be honest… )  “What have you been doing?” she asked incredulously.  I explained that I’ve been taking drawing classes, told her about the Victoria and Albert Museum experiences.  She said she’d never been there, never even heard of it.  Or anywhere else we mentioned, all of which have free admission incidentally.  BUT, she added excitedly, she is planning an 8 day trip for her friend’s 21st birthday, to Las Vegas.  AND, then they are going to New York City for Black Friday – she was absolutely giddy.  We tried to break it to her gently that Vegas can be fun even though weird, but Black Friday is not America at its friendly best, with little success.

Next Case in Point:  I asked a docent at the British Museum if she could tell me where the Native American totem poles are so I could meet my drawing class there.  “The North American section is on the third floor.”  No, these are supposed to be near the entrance, which is where we were standing.  “Sorry…,” she said, “perhaps my colleagues at the information desk can help?”  So off I went to the info desk, where the third person I asked finally knew, “Just right round there to the back, by the cafeteria.”  And she was right – just around the corner, not 500 yards from where I had asked the first person, there are two Humongous totems, several stories high.  They’re pretty hard to miss.  But the docent didn’t know they were there. 

I can understand not being thrilled about just going to any old museum, or any old forest, or any old castle or palace.  But these places are bursting with wonders, there for free.  Name your passion – it’s there.  The occult, the tame, the historic, pirates, farm tools, dinosaurs,  badgers dens, dragons, the exotic, full frontal nudity, weaving, new art and old art and mummies, giant lily pads, the Rosetta Stone, food and drink from all over the world…  I guess it takes a stranger, or a child, to really look at the world and see what is before us.   So the moral of the story is:  invite a stranger to your world, and then discover it with them.  They will very likely bring a childish excitement to the equation that will make the experience more wonderful for all of you.  And who knows?  You may discover a hidden gem like the Brixton windmill, from 1800-ish, which we found just up the hill from where we’re staying, and learn how to grind wheat into flour!

 

 

National Gallery: Little Bo Peep Finds Her Ewok Camels

sketch of painting

"Rebecca at the Well", by Kerry McFall, colored pencil

 About 300 years ago, an Italian named Giovanni Pellegrini made a lovely painting, meaning it to be about the Biblical story of Rebecca.  What he evidently didn’t know then was that there were probably very few blonde Hebrew women who dressed in the latest Italian fashions… or   that his camels looked like Ewoks, his Rebecca looked like Little Bo Peep, and the man Eliezer is a dead ringer for our friend Rob Robinson… So, out of all of the vast mesmerizing collection in the British National Gallery (not to be confused with the Briitish Museum, mind you), this was the painting that spoke to me.  As Griff is quick to point out, I haven’t figured out how to do female human faces yet, but I had a lot of fun with Rob and the camels!

Equinox at Zero Degrees Longitude

We took a boat ride along the Thames River to Greenwich (say “Grin-Itch”) last Wednesday.  Before we left the Westminster Wharf, I did a quick brush-pen version from the boat of what I saw across the river:  the “London Eye”, which is a big ferris wheel that is one of the new London icons, the Millenium Bridge, the aquarium, a Very Big Lion Statue… and given all the impossible details, it felt like it should follow the technique I developed for the Koln Cathedral piece:

Abstract sketch of London Eye

"London Eye" by Kerry McFall, ink and colored pencil

 The jaunt upriver lasted about an hour, and the weather for Autumnal Equinox was, just as the BBC predicted, “Dark gray, then light gray, then white, then blue.”  What a great way to phrase the weather forecast – the color of the sky!  None of this Pacific Northwest double-talk like, “partly cloudy with a chance of drizzly misty light intermittent probably pretty wet rain”;  just what color the sky will be, and if you have an ounce of sense you can figure out what to wear from there!  We explored the village of Greenwich, which like the entire rest of London is currently covered in scaffolding because it’s being re-built or re-painted or fluffed up or whatever for the Olympics.  After a nice pub lunch, we ducked in to the Royal Maritime museum briefly, but the highlight was of course the Royal Observatory, where Longitude 0 degrees 0 minutes and 0 seconds is located, along with a remarkable number of very old clocks that actually tick (remember that scene in the movie Hook with all the old clocks ticking ominously?).  If you’re not obsessed with maps like Griff is, you may not realize that standing there on that imaginary global line is one of those really cool geography things that you simply MUST do if you’re in the neighborhood.  The view from up there – which is seriously the closest thing to a hill we’ve seen since we landed on this flat little island – is fabulous, and by the time we got to the top, we were at the white to blue sky transition, so it was really memorable.  Equinox at Zero, once in a lifetime.

 

Artists Full Employment Act of 1650

sketch of kitchen with monster

"Godzilla Chooses His Weapon", by Kerry McFall

 Silver tea service, hot pepper plant, wooden spoons, Godzilla – just your basic British kitchen setup on the kitchen counter.  Of course, I’ve only ever actually been in one British kitchen, but this was what I saw… this afternoon I’ll be in my second British kitchen, we’ll see how they compare!

On Monday of this week I stumbled into a couple of free sketching classes that were part of a design symposium happening at the Victoria and Albert.  The first one, led by a young artist/animator who has her Master of Fine Arts degree from St. Martin’s, focused on the ceramics collection.  This was particulalry good for me, because it gave me a completely different “take” on the same collection I had sketched in on the Friday before.  She asked us to find two very different pieces, sketch them, then pretend that they had “mated”, and to draw what would be the resulting offspring.  I chose a carved chess piece showing a knight on horseback, and a blue cream jug:

sketch of pot design with knight

Coffe Pot Design by Kerry McFall

I’m not sure how appealing it would be to pour coffee out of a knight’s nostril, but, oh well.  It was fun, especially seeing what other students came up with.The second class was led by another animator from the same school, a young man whose current job is drawing ScoobyDoo for a new version of the cartoon series.  He led us to the sculpture gallery, and essentially had us do life drawing from really old naked marble statues, then imagine how they would look if different characters took that same pose.  Very satisfying, and another reinforcement of what I learned last week in the life drawing class I took. 

"Victoria & Albert Tea Room

While I was sketching, Griff prowled around in the Natural History and Science museums across the way.  Afterwards, he and I retired to the elegance of the Victoria and Albert on-site tea room, where he worked on his book and I attempted a couple of quick cartoonish sketches, and one architectural exercise in sorting out the bric-a-brac to find the underlying structures.  When you really LOOK at some of these rooms, where there are paintings on the carvings on the carvings (not a typo!) of the tiles that decorate the tiles, it’s quite amazing.  My theory is that the churches and royal families used to actually employ artists (what a concept!) and pay them by the hour, so what we are seeing is the result of the Artists Full Employment Act of 1650… “Victoria and Albert Tea Room”

 

 

Drawing Classes

sketch of pot

Victoria and Albert Pot 1, by Kerry McFall

My second sketch class turned out to be just as marvelous as the first!  I met Marcia Teusink, a lovely young American artist, and the several members of her sketching class on Friday morning at the Victoria and Albert museum.  Outside, the stone walls proudly bear the pock marks from World War II bombing raids, a reminder of what insanity we humans perpetrate.  Inside, the vast treasures of many cultures glisten at every turn and twist of the many hallways and palatial rooms, reminders of what we humans can achieve given the proper focus and understanding of what is truly important.  Wow.  And that was just getting in the doors.

Our task was to find something in the ceramics galleries to sketch, using the very basic technique of imagining the ellipses that could be drawn on the surface and using them to form the shapes, and doing a bit of measuring to be sure the shapes don’t go all wonky… basic, but I hadn’t really quite “gotten it” before.  Now you should see me sitting on my little museum folding chair, holding up my pencil (with a very straight arm), squinting through one eye, and counting off units like a pro!

Pottery Sketch 3, by Kerry McFall

After a couple of hours focusing on different pots, we did a grand finale of one sketch including a bunch of pots, aka “a composition”.  Since the actual arrangement of the pots had already been made by very talented curators, it was pretty much a slam dunk to get a decent composition.  Eventually I hope to do a bit of painting on the original, but for posting here I just fiddled with it a bit in Photoshop.  What fun!

After sketching all morning, Griff and I hiked over to the Kensington park, where we had a glass of wine and a brownie with Peter Pan on the Serpentine canal… Tinkerbell, apparently, resides in California this time of year, and declined to attend.

London!

montage sketch
“London, Day 1” by Kerry McFall, colored pencil sketch montage

So much to see, and – gasp – almost enough time to feel like we can see it all!  The train trip beneath the Channel was underwhelming – just like being in the subway, then you find yourself at St. Pancras station wondering where platform 9 3/4 might be hidden… of course, it’s in some other station, but still, it felt like we were about to begin a semester at Hogwart’s.  Chocolate frogs, anyone?

We met our new host family, friends of Markus’, and were welcomed into their Victorian row house with a hot supper and cold wine.  Helen is a whirlwind of energy, a chemistry professor who does a terrific imitation of British upper crust voices, and Gary is quiet with a wry sense of humor.  They provided us with insights on getting around and a tiny guidebook (keeps you from looking so “touristy” when you pull out your map), then off we went to find my first art class.
Finding it took some serious bus navigating, which is always a bit scary in a new city, but Griff is a jewel, so we found the Battersea Art Centre, got set up for the evening class, then set off for the Tate Modern, which was in an entirely different part of town.  The Tate seems to be a big favorite locally, but for me, it was quite stark.  It has a fabulous view of the River Thames and all the famous landmarks, but perhaps I was influenced by my feet hurting at that point… then again, it is an excellent example of “industrial culture”, it being a power plant originally with one of the generator areas now devoted to being an “art space”… which had big blank walls at the time.  Ben – it was made for you and a few cans of spray paint! 
I sketched little scenes all day in the new “Moleskine” sketchbook that Larsen sent me (bravo, Larsen!), a sort of random series of impressions from vintage props in the Battersea center to a man in an inner city basketball court quietly drinking himself to oblivion.
I was exhausted by the time evening rolled around for the “drop in life drawing” class, and was on the verge of just going home instead, but fortunately Griff persuaded me to try it anyway.  Wow – just what I had hoped for, but sorry, not going to share these sketches on the web!  Well, not yet, anyway.  I will just say that the model, unlike Corey’s description of her first life drawing class, did not resemble Shrek.  More like the young greek hero in Mama Mia… All that and good art instruction, too!